Woody Allen is kind of a funny guy. The critics think so. With five films on the AFI 100 years…100 Laughs list, he is the most represented director. The viewers think so, too. He has a rating of 86% on Rotten Tomatoes, which is only brought down by the poorly conceived films he acted in. And we think so. Sleeper, a comedy from 1973, is one of his funnier movies.
Allen stars as Miles Monroe, a health food-selling Brooklynite who undergoes nonconsensual cryogenic freezing. When he is defrosted 200 years later by scientists who hope that he can help overthrow the evil dictator in charge (a scene which Mike Myers and Austin Powers took more than a few cues from), the world is a very different place. This setting change from the tangible, real modern world to a completely goofy figment of Allen’s imagination allows for as many creative additions as he wants. The people of the 22nd century are all slightly robotic and vapid, and when the government police show up to arrest the scientists who have thawed Miles, he panics, scatters, and ends up posing as a robot in the house of Luna Schlosser (Diane Keaton), a poet in her own time. Cue a disastrous dinner party, slapstick jokes, and a new head for Miles the robot. Since robot Miles does not want to lose his human head, he kidnaps Luna. More hilarity ensues as they run from the police. Eventually, Miles is captured and brainwashed. Then rescued. Then involved in a plot to kill the evil dictator. (But struggles against adversity really aren’t the point in Sleeper.)
Funny writing, clever dialogue, and smart jokes characterize many Woody Allen movies. He is a cerebral writer and director, and it comes out in his humor much of the time. Sleeper represents a break from the later, more traditional Woody Allen mode. There are far more physical, Buster Keaton- and Charlie Chaplin-esque jokes, such as Allen’s robot impression, and the debacle that occurs in the fix-it shop. Physical humor turns out to be something that Woody Allen does very well. He has plenty of ironic and satirical humor, as always, but also includes props like the ‘Orgasmatron’(you’re not going to find an explanation here) and ‘the orb,’ a device that, when held, gives its user a sense of euphoria.
Sleeper also pays homage to scenes from other movies throughout. When Miles is attempting to get back to sanity, he flashes into a scene from “A Streetcar Named Desire,” playing Blanche DuBois, and Luna is forced to step into the role of Stanley Kowalski (by doing a ludicrous Marlon Brando impression) to steer him back to the real world. Also, Allen mimics the famous Marx Brothers scene involving a full-length mirror.
If you’re more familiar with Allen from his later more intellectual style in films like Hannah and Her Sisters, Annie Hall, or Vicky Cristina Barcelona, the comedic romp in Sleeper may catch you by surprise. Not that the movie isn’t intellectual, but it also includes and relies on humor that fans of the Three Stooges might enjoy. Yes, there’s a bit with a banana peel. A very big banana peel. If you’re a snob, you may have trouble enjoying it, but if you’re out to enjoy laughs any way they come, Sleeper is an easy one to sit down to.
Sam Rock
SPA Film Club
